"The Most
Beautiful Thing" by Cameron Covell
https://www.youtube.com/watch?v=IP8psM4LWXk
Cameron
Covell creates character need from the first scene. Framing Brandon in the
empty courtyard on the iron seats foreshadows the eventual filling of that seat,
but before Emily fills the seat, it symbolizes the boy's feelings of isolation
and estrangement from his peers, which the viewer can only infer either from
his somewhat scrawny stature, glasses, or the scar from his cleft lip. Even
where the title appears, over Emily's eventual placement, hints at what our
protagonist longs for.
I also was
drawn in by Covell's attention to camera angles. The camera almost stalks
Brandon's lonely monotony, his classmates blurred and shrinking in the lens'
periphery. Everywhere Brandon looks in the opening shots, there are people
interacting and connecting at an arms length who are seemingly oblivious to his
existence.
The prom
flyer's prompt and subtle placement amplifies the character's desperation for acceptance
and intimacy. The viewer, too, senses this need and wants it for the lonely
protagonist.
Brandon's
innocence and awkwardness are made evident when he stumbles on the couple
kissing. Even at home Brandon seems forgotten, which only adds to his already
lamentable plight.
I love the complete change in tone when Emily
enters Brandon's life. Covell chose the perfect musical track as the background
for the friendship montage that ensues after they meet for the first time. It
creates a brilliant contrast from the somber ambient music that starts the film
with its upbeat rhythm under a distorted, major chord progression.
Every film
needs a villain, and the brash young blonde who pushes himself onto Emily
embodies it well. His emergence adds needed tension and struggle to the film.
Love and intimacy are never achieved without struggle or sacrifice so why
should this hero be any different.
Regardless
of each character's social "limitation" or "deficiency,"
they're able to find someone who redeems and even loves them for those things. Covell
does an amazing job of expressing the inexpressible through these character's
need and desperation for each other. There's something empowering in this film.
Emily's willingness to make herself vulnerable in front of Brandon shows that
even love can overcome our own inhibitions and social scarring.
Robert, I also watched "The Most Beautiful Thing" and noticed the camera angles. There was a "stalking" quality about it and it makes me wonder why they chose to shoot it like that. It seems like a risky line to walk without being creepy. There were a few shots where you could see a little blur that was the corner from which the camera was peaking around, but it still works. I agree with you that this film is empowering. It does a really good job of telling that same old story of young love, and I really like the way you put it, "Love and intimacy are never achieved without struggle of sacrifice so why should this hero be any different", in a way that feels new.
ReplyDeleteThis short was sweet and emotionally charged. We immediately empathize with Brandon in his rather awkward, solitary adolescence, and we are happy when Emily comes along and they connect. Rob, you're absolutely right about the music in this one - it was very well chosen and timed. There's so little actual dialogue in this short, so the visuals and the score are doubly important. We feel close to Brandon because the camera is right there next to him. Even though it would be easy for a film like this to cant to treacly sweetness, it manages to avoid that pitfall. Nice little short.
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